
Over time, Akshay Kumar’s devotion to Lord Shiva has increased extremely, and it has been apparent in his music launches. Akshay debuted singing with the devotional track ‘Shambhu’ in 2024, which is a song dedicated entirely to Lord Shiva. More than a year after it was launched, Shambhu has garnered a staggering 50 million views, and the count keeps increasing on YouTube. But it isn’t just Shambhu that reflects Akshay Kumar’s devotion to Mahadev!
‘Laxmii’ song ‘BamBholle’ had the same vibe, showing Akshay’s love for the God. Packed with Indian pop rhythms, catchy tunes, and a spirit that has been mixed with religion, ‘BamBholle’ became the best song for the listeners, particularly the Gen-Z. Akshay Kumar performed with all his energy to appease Lord Shiva, and his aggressive avatar increased the vibe of the song, making it the most explosive track.
Today, Mahakal Chalo has been curated such that it conveys the thunderous aura of the divine Mahakal. Akshay Kumar sang the song with Palash Sen and Vikram Montrose. As much as a catchy number, Mahakal Chalo is also a resounding declaration of Akshay Kumar’s belief in Lord Shiva. The actor gets submerged in Shiva’s energy in order to be powerful and religious. Very frequently, he has talked about his religion too, saying that he’s been a Shiva bhakt for the longest while, and over the years, his bond with him has become stronger. Now, with ‘Mahakal Chalo’, Akshay Kumar has launched an outstanding mix of audio and visual extravaganza. Akshay Kumar’s spiritual inclination towards the supreme god goes beyond music.
Fans appreciated the actor for bringing along the poise and undertones of his character in OMG 2. He is now set to debut in Telugu with Kannappa, and will be seen entering the spiritual space again. While there is excitement around the movie, Kannappa is releasing on April 25, 2025. In the meantime in ‘Mahakal Chalo’, Akshay’s face and devotion to Lord Shiva are being praised among his fans for the right reasons, and the song is receiving a good response from the viewers.
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